Priya
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| | Tuesday, December 10, 2002 - 6:13 pm: | 
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AMtaxarI KoLta KoLta AaplyaapOkI ik%yaok jaNa %yaa gaaNyaacyaa AnauYaMgaanao kahI ]d\baÜQakÊ manaÜrMjak
maaihtI ilahItat. prMtu AMtaxarI saMga`hIt kolaI jaat nasalyaanao hI sava- maaihtI qaÜD\yaa vaoLat / idvasaaMt vaahUna jaato. AXaa maaihtIcaM saMklana [qao vhavaM yaa ivacaaranao ha BB sau$ kolaa Aho.
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sauroK klpnaa Aaho ip`yaa.
tsaoca [trhI khI p`Xna AsatIla tr tohI yaoqao ivacaarlao jaa] Xaktat.
eKVa gaNyaacaa ragaÊ isanaomaaÊ A^@TrÊ myauiJak Dayaro@Tr AXaI sava- mahItI imaLu Xakola.
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Priya
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| | Tuesday, December 10, 2002 - 6:49 pm: |
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svaatIÊ KrM Aaho tuJaM mhNaNaM. nausatIca maaihtI Vayalaa hvaI Asao naahI. tU mhTlyaap`maaNao kahI p`XnaÊ
XaMka AsalaI trI ivacaarayalaa hrkt naahI.
AaiNa hÜÊ sagaLIca maaihtI ivaWjjaD Asaola ikMvaa Asaayalaa hvaI AsaM naahI.
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Abedekar
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| | Tuesday, December 10, 2002 - 8:07 pm: |
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for a lot of songs, this info has been consolidated at http://chandra.astro.indiana.edu/isongs/
this is an excellent resource (and also includes several marathi songs too!!) ....
another important web based resource is the newsgroup rec.music.indian.misc (RMIM)
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Priya
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| | Tuesday, December 10, 2002 - 8:26 pm: |
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Aaid%yaÊ %yaa saaTvar KrÜKrca caaMgalaa saMga`h Aaho gaaNyaaMcaa. yaa BB var nausatIca AXaa p`karcaI maaihtI navho tr [trhI maaihtI yaavaI AXaI [cCa Aaho. naanaI torI maÜrnaI
kÜ hI gaaNaM raNau mauKjaI-nao gaayalaM Aaho hI maaihtI tulaa %yaa saaTvar imaLolaÊ pNa raNau mauKjaI-
hI saMgaItkar AaiNa gaayak homaMtkumaarcaI maulagaI ho itqao naahI. AXaI kahI maaihtIhI [qao saMkilat
vhavaI AXaI [cCa Aaho.
tU ilahIlaolyaa newsgroup var maI maQauna maQauna ca@kr TaktoÊ pNa itqao baroca vaoLa AsaM vaaTtM kI kahI zraivak laÜkaMcaI itqao
ma>odarI Aaho ³jasao baáyaaca newsgroup var caalato.´ AaiNa itqao baroca vaoLa maI Avamaanakark BaaYaahI vaaprlaolaI paihlaI Aaho. pNa ha maaJaa
vyai>gat ga`hhI Asaola. %yaamauLo %yaa newsgroup var kQaI post krayacaM QaOya- JaalaM naahI ho maa~ KrM.
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Abedekar
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| | Tuesday, December 10, 2002 - 8:54 pm: |
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point well taken - i do appreciate your intent in creating this BB, im sure tht in due course of time, we will get very interesting info being posted here ....
and about the newsgroup - i never post on RMIM or even RMIC (rec.music.indian.classical) for that matter. these groups are dominated heavily by a few posters, there are always incidents of bad postings.... yet, it is quite interesting to peruse through it from time to time ....
but then - things are a lot refined here on Hitguj ... and lot easily accessible too .... so let the info flow. i dont know if there are other BBs for this, but i wouldnt mind people posting complete hindi songs here ...... unlike the mukhda only (and an atra at the most) on antakshari BB
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Robeenhood
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| | Wednesday, December 11, 2002 - 10:06 am: |
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ima~hÜÊ
yaa baI baI caI klpnaa qaÜDI vaogaLI Aaho. Kro tr maI ek laa^ijak saucavalao hÜto laa^ijakla Anta@XarIsaazI
kI ÉZaqaa-nao jyaanaa rogyaular paYva-gaayak mhNata yaoNaar naahI AXaa Ap`calaIt gaayakanaI gaayalaolaI
gaaNaI. %yaa laa^ijaklaa Kupca p`itsaad imaLalaa.pNa laxaat Aalao kI Kupca [nTroisTnga va maÜlaacaI maaihtI
Aka-vh hÜt nasalyaanao vaahUna jaat Aaho.]da.AayaI janjaIrkI Janakar Kuda KOr kro... ho rijayaa saulatana
maQaIla gaaNao kbbana imaJaa-nao gaayalao Aaho . ha kbbana imaJaa- kÜNa tr AakaXavaaNaI laKnaÝ caa inavaodk
hÜta. puZo %yaalaa dudO-vaanao GaXaacaaca k^nsar Jaalaa va tÜ gaa] Xaklaa naahI.
tsaoca roXamaa hI pakIstanaI gaaiyaka GaXaacaa k^nsar Jaalyaanao gaa] Xakt naahIÊ
AXaIpÜXa-nabaahorIla maaihtI p`aPt JaalaI vagaOro Ê AjaunahI to laa^ijak caalaU Aaho. mhNaUna hI maaihtI
saMga`hIt krNyaasaazI baI baI ]GaDNyaacaI ivanantI ip`yaalaa krNyaat AalaI hÜtI . Aata ip`yaapo@Xaa yaÜgya
vya>I kÜNa AsaNaar
hI yaa baIbaI caI saMklpnaa Aaho %yaanausaar pÜisTngja vhavaIt.sampUNa- gaaNaI pÜsT krNyaacaI klpnaa naahI
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Abedekar
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| | Wednesday, December 11, 2002 - 8:14 pm: |
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cool interesting info...
to add on to the satyasheel deshpande song from vijeyta: correct me if im wrong, but tht song "man aanand aanand chaayo" was picturised on rekha and daji bhatawdekar!!
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Svsameer
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| | Wednesday, December 11, 2002 - 10:24 pm: |
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Satyasheel deshpandeni Ram Gabalenchya "He geet Jeevanache" madhye dekhil kahi chija va gani mhantali ahet.
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Abedekar
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| | Wednesday, December 11, 2002 - 10:39 pm: |
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turns out that the lekin one aint the only song hridaynath ever sang for a hindi film. they seem to be few and far between, but here is one (from maya memsaab - lata, hridaynath)
Cayaa jaagaI
saayaa jaagaI
caMcala caMcala kÜmala caMcala
caMcala kÜmala kÜmala caMcala caMcala
saayaa maaÐgaI
sajako saÜlah isangaar
calaI sapnaÜM ko sapnaAÜM ko par
maayaa laagaIÊ maayaa laagaI
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Abhijit
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| | Thursday, December 12, 2002 - 12:11 am: |
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vaYaa- BaÜsalaocao AjaUna ek gaaNao malaa maaiht AahoÊ " gaIt hÜ}na Aalao sauK maaJao Aalao saajaNaa " . yaat sauroXa vaaDkr sahgaayak Aaho. ica~pT - saMsaar
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marathi / Hindi ganya sati www.geetmanjusha.com sudha paha changli site ahe.
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Paragkan
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| | Thursday, December 12, 2002 - 9:17 pm: |
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idnaoXacaM pÜsT prt TaktÜya. ip`yaaÊ ho zIk Aaho ka baGa. kahI raihlaM Asaola tr saaMga lagaoca edit krta yaola.
XaiSa kpUrcyaa jaUnaUna maQao AaXaacyaa Aavaajaat saavanakI AayaI bahar ro Asao gaaNao Aaho. roka^D- jarI AaXaacyaa Aavajaat AsalaI trI isanaomaat ho gaaNao vaYaa- BaÜsalaonao gaayalao Aaho. vaYaa- BaÜsalaolaa maI p`%yaxa eoklao Aaho. itcaa Aavaaja AaiNa tyaarI dÜnhI ]<ama Aahot pNa AaXaanao itlaa jaaNaIvapUva-k yaa xao~apasaUna dUr zovalao Aaho. marazIt itnao caaMdÜbaa caaMdÜbaa Baagalaasa ka yaa gaaNyaatlyaa kahI AÜLIca gaayalyaa Aahot. inadana raQaanao trI gaaNao saÜDU nayao.
madr MDIyaa maQao
duinayaamao jaÜ Aayao hO tÜ jaInaahI pDogaa
jaIvana hO Agar jahr tÜ ipnaahI pDogaa
yaa gaaNyaat lata AaiNa ]Yaa barÜbar maInaacaa Aavaaja Aaho.
laokInamaQao
jaa jaa ro piqakvaa
khIsao maora saMdosavaa
AXaI caIja lata AaiNa Udyanaaqanao gaayalaIya.
JaUmaJaUmako dÜ dIvaanao gaato jaayao galaIgalaI
Apnao idlako mastIka pOgaama saUnaayao galaIgalaI
yaa gaaNyaatlyaa Xabdaba_la malaa Aijabaat Ka~I naahI pNa Asaoca kahIsao gaaNao rÔI AaiNa lailata do]Lgaavakr cyaa Aavaajat Aahot. baabaUjaIMXaI lagna Jaalyaavar %yaanaI gaaNao saÜDlao.
ina tU rat KDI qaI CtpoÊ ina maO samaJaa ko caaMd inaklaa
baUra hÜ tora tUJao doKko kÜzopo maora pOr iÔsalaa
ihmaalayakI gaÜd mao naavacyaa isanaomaat ha BaaMgaDa rÔIbarÜbar ]Yaa itmaÜqaInao gaayalaa hÜta. pNa pUZo itlaa gaaNaI imaLalaI naahIt.
kUmaar gaÝrva AaiNa rit AignahÜ~I yaaMcaa sTar naavaacaa isanaomaa Aalaa hÜta. naaiJayaa hsana %yaat pihlyaaMda gaayalaI. baUma baUma vaOgaro gaaNaI %yaatlaI. maga itnao to prt gaayalao ³ tovha tI yaa gaaNyaaMcao maUL saaMgaayalaa bahUtok ivasarlaI ´. itnaoca kUbaa-naI maQao JaInat Amaana saazI Aap jaOsaa kÜ gaaNao gaayalao hÜto. %yaa gaaNyaavar dIPtI navala pNa naacalaI hÜtI.
latalaa ca^laoMja krNyaasaazI XaMkr jayaikXananao Xaardalaa AaNalaI hÜtI. itlaa %yaanaI ittlaI ]DI vaOgaro gaaNaI idlaI hÜtI pNa Aaplyaaca kmaa-nao tI maagao pDlaI.
AÜ. pI. nayyar cyaa dUsaáyaa naIMgamaQao ³ isanaomaa hIramaÜtI ´ jaovha %yaanao kahI gaaNaI kolaI %yaapOkI
saÝ saala ijayaÜ tUma jaana maorI
tUmho maorI ]mairyaa laga jaayao
yaa gaaNyaat vaaNaI jayaramaÊ ]<ara koLkr AaiNa puXpa pagaQaro yaaMcaa Aavaaja hÜta. %yaanaahI naMtr gaaNaI imaLalaI naahIt.
ikXaÜrI AmaÜNakrnao gaIt gaayaa pt qarÜnao XaIYa-k gaIt gaayalao hÜto. toca gaaNao AaXaacyaa Aavaajaat pNa Gaotlyaanao kahItrI vaad Jaalaa va %yaanaI isanaomaasaazI gaaNao saÜDlao. maga ekdma dRYTIsaazI %yaanaI kahI Aalaap gaayalao.
AmaIrKana saahobaanaI Janak Janak payala baajaocao XaIYa-k gaIt gaayalao hÜto. toca gaaNao latanao pNa gaayalao.
sa%yaXaIla doXapaMDonaI AaXaabarÜbar KalaIla dÜna gaaNaI gaayalaI.
mana Aanand Aanand CayaÜ ³ isanaomaa ivajayaota ´ AaiNa JaUTo naOnaa baÜlao saacaI baityaa ³ isanaomaa laokIna ´.
maaJaI gau$BaiganaI AartI AMklaIkr sardarI baogama saazI gaayalaI.
iBamasaona basaMt bahar ³ kotkI gaUlaaba jauhI ´ naMtr ekda Da^ EaIrama laagaUMsaazI pNa gaayalao hÜto.
baakI Aimar Kananao ³ gaUlaama ´ va AXaÜk kUmaarnao ³ AaiXavaa-d ´ saazI ek gaaNao gaayalao hÜto. Asao Anaok p`ya%na maga Jaalao.
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Priya
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| | Thursday, December 12, 2002 - 10:00 pm: |
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QanyavaadÊ praga. Aata f> idnaoXa ragaavaU nayaot maaJyaavar mhNajao JaalaMÊ %yaaMcaM posting edit krNyaacaa Aaga`h Qarlyaaba_la.
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Manya2804
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| | Friday, December 13, 2002 - 3:36 am: |
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Aasa ka pMCI yaa ica~pTat idla maora ek Aasa ka pMcaI... ho gaaNaM saubaIr saona yaa gaayakanao gaayalaolaM
Aaho. %yaacyaa Aavajaat maukoXacaa Baasa hÜtÜ.
mauGalao AaJama maQao p`oma jaÜgana bana jaa}ÐgaI... hI zumarI ]stad baDo gaulaama AlaI KaÐ yaaMnaI
gaayalaolaI Aaho. %yaa eka gaaNyaasaazI %yaanaI %yaa kaLat 75000 Épyao Gaotlao hÜto Asao mhNatat...
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Abedekar
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| | Friday, December 13, 2002 - 4:46 am: |
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i dont know the amount but its true that he charged a really humongous amount for each of the twothumris that he sang in mughal e azam. apparaently when k asif and naushad went to him to ask him to sing, he asked for a huge amount hoping that would ensure that he would not have to sing for movies. but k asif with all the money being spent had no qualms in accepting. so bade ghulam ali khan tried to ward them off by saying that he is a khandani singer and wont sing in a studio standing up ... so they actually agreed to make arrangements to set up a baithak and other accompaniments for him in traditional style when he sang "prem jogan ban ke" and "shubh din aayo" for a monstrous sum of money for the biggest epic of them all - k asif;s mughal e azam !!!
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Abedekar
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| | Friday, December 13, 2002 - 4:56 pm: |
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on a related note: here is some info about the making of mughal e azam (from the RMIM archives). this is frmo an article that appeared in filmfare. moderators, if this is irrelevant info , please delete it
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Article: Making of Mughal-e-Azam
Source: Filmfare
Author: Roshmila Mukherjee
Madhubala was an unforgettable Anarkali. And her portrayal of
Radha in "mohe panghat pe nandala chhed gayo re" continues to mesmerise movie-goers. Surprisingly, the song was almost edited out. "It's bakwas.. it'll ruin the film," thundered noted director Vijay Bhatt after the recording. "Why show Akbar celebrating Lord Krishna's birth?"
Music director Naushad argued that with Jodhabai present in the Mughal court, it wasn't all that illogical. After discussions with the panel of script writers, a line was incorporated in
Anarkali's introduction scene to Prince Salim. A courtier was made to say "Aaj Krishna janmashtami hai aur Radha ke liye Anarkali theek rahegi." The song went on to become piece-de-resistance.
K.Asif wanted the best choreographer for the song. Naushad suggested Lachchu Maharaj. And the great Kathak exponent burst into
tears the minute her heard the song. Asif was baffled. "Why is he crying," he asked Naushad. "Tell him to start dancing."
Naushad took the dancer aside and asked him why he was weeping. Lachchu Maharaj confided that his father, Alkaji Bindadin, had been Nawab Wajid Ali Shah's darbari dancer. And "mohe panghat pe nandalal" with nawab playing Krishna, was his fvourite composition. "Hearing the number after all these years, I was overwhelmed. It reminded me of baba".
It took Lachchu Maharaj five days to choreograph the number. His Radha was lovely..but she was no classical dancer. So the camera would zoom in on Madhubala for the close-ups. And one of Lachhu Maharaj's boys doubled for the actress in the long shots. On every one of those five days, there was an important visitor across the border of the sets - Zulfikar Ali Bhutto. He would drive down from Worli to Mohan Studio and spend the day there raptly watching the song being picturised.
For Salim and Anarkali it was love-at-first-sight. It's a moonlit night. The prince is caressing her cheek with a feather. "No
dialog," decided Asif. "Just a song playing in the background." Tansen singing "prem jogan ban jaoo.." in raag Sohni. A purely
classical number which only an ustad could render.
Naushad suggested Bade Ghulam Ali Khan. But Ustadji didn't sing for films. Asif was convinced he could make him change his mind.
One Sunday morning he drove down to the Ustad's house with Naushad.
Ustadji hated Asif on sight. He took Naushad aside and whispered, "Who is this man smoking so arrogantly? Doesn't he
know this is a musician's house? I can't sing for him." But the director wasn't stymied. Flicking ash on the floor has said, "You will sing. Just name your price." Affronted, the Ustad mentioned a staggering sum, "Rs 25000!" Asif immediately handed him Rs 10000 and promised to pay the rest on the day of the
recording. Bade Ghulam Ali Khan would sing!
On the day of the recording, he was there at the Mehboob Studio on the dot. Glancing around the studio he thundered, "Where is
the gadda, chaddar, takiya? I can't sing like this!" Within minutes, the studio was transformed into a baithak. The Ustad
started in the gamak taan but it sounded too heavy for a romantic scene. When Asif suggested something softer, Ustadji called for pack-up. "Show me the scene first, only then I will sing," he said before leaving the baithak.
Fortunately the scene had already been shot. It was edited overnight and Bade Ghulam Ali Khan saw it the next morning. One look and he was fida over Madhubala. "Anarkali kaafi khubsoorat hai.
Shehzada bhi kaafi khubsoorat hai. The scene's been photographed well," he nodded approvingly. He rendered the number four times and each time the film had to be rewound and played. At the end of the marathon session, all he had to say was, "Take whatever you want.. Just see that it's good.".
However, K. Asif was not finished with the Ustad yet. Salim was returning home after 14 years. Jodhabhai sends word to Tansen to
sing in a raag which would make Salim forget the sound and fury of the cannon blasts. And Tansen meant going back to Bade Ghulam
Ali Khan. Another Rs 25000! "Shubh din aayo re" was recorded. And only 15 second segment from it was retained!
Almost 20 songs were recorded for Mughal-e-Azam at the price of Rs 3000 each. Each one was a classic. And yet, almost ten of them were left out, including "Husn ki baraat chali" sung by Lata, Shamshad Begum and Mubarak Begum because the scene where Salim comes to the boathouse to give away awards to the court singers was deleted from the film.
So were "akele mujhe chhod ke kahan chale re" and "aai ishq yeh duniyawale bekaar ki baaten karte hain". Another hummable
Shamshad Begum song "chala ja re nami chhalakte hua" was also never heard again because Anarkali never did send her prince a love letter in a floating lotus.
There were times when Naushad wondered why he'd taken on the project. He almost hadn't the first time K.Asif had approached him.
"I was upstairs in my music room. The family had strict instructions that I was not to be disturbed," Naushad reminisces. "But
who could stop Asifsaab? He entered the room and announced, 'I'm making Mughal-e-Azam.' Immersed in my work I didn't hear him. He repeated himself. I didn't react. Then he threw a bundle of notes on my harmonium. I was livid. I glared at him. He still insisted that I should compose the music for his film."
Meanwhile Rs 75000 lay scattered in the room. When the servant came up with a trayful of tea, he was horrified. He rushed to the music director's begum with the news that currency notes were scattered all over. She shrugged, "Maybe they're counterfiet." He insisted that they were real. She finally gathered the notes
unnoticed by her husband.
Today Naushad talks of the Mughal-e-Azam experience fondly. "I remember composing "pyar kiya to darna kya". We had been experimenting all day and rejected two lyrics. It was almost midnight when I remembered a folk song of East UP, "prem kiya kya chori kari hai". It didn't take Shakeelsaab long to convert that into
a beautiful ghazal. By the time, we had the song wrapped up it was 6am".
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sauibar saona
saÜlaÜ maMiJala vahI hO Pyaar kI rahI badla gayao kzputlaI
lata barÜbarcao maO rMgaIlaa Pyaar ka rahI dur maorI maMiJala CÜTI bahona
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Dineshvs
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| | Saturday, December 21, 2002 - 11:55 am: |
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qao savaa-Mcyaa saÜyaIsaazI tala t>a dotÜya. Ôala e@saola maQao Aaho. iXavaajaI01 Ôa^nT laagatIla.
ek ip`nT Aa}T kaZUna zovaa.
AaiNa maI kUNaavarhI ragaavat naahI. qalyaa kUNaIhI maaJaI iBatI baaLgaayacao kahIhI karNa naahI.
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Dineshvs
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| | Tuesday, December 24, 2002 - 3:55 am: |
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maaJyaa tala t>yaat pnjaabaI zo@yaacaa }llaoK Aaho. %yaapOkI pnjaabaI zokaÊ TPpa AaiNa maailaina rajaurkr
(a sava- kaya caIjaa Aahot to kLNyaasaazI KalaIla ilaMk ja$r pha
http://www.musicindiaonline.com/music/l/010017
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Mabhigit
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| | Tuesday, December 24, 2002 - 1:37 pm: |
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idnaoXa.. talaaMcaI maaihtI KUp Cna Aaho..
malaa svatÁlaa tumhI namaud kolaolaa BajanaI maaiht naahI..
BajanaI cao Ajauna ek p`karcao baÜla :
Qaa iQaM QaI Qaa itM
ta itM tI nak iQaM
AaiNa Ajauna ek p`karcaa zoka :
jaÜ Japtalaavar AaQaarIt Aaho..
iQaM naa QaI QaI naa
itM naa QaI QaI naa
Note : ha BB gaaNyaaMcyaa AnauYaMgaanao AiQak maahItI Asaa AsalyaanaoÊ qao saMgaItaivaXayaI AQaIk maahItI dot naahIÊ
AÜGaanao ivaYaya inaGaalaolaacaÊ mhNauna f> qaÜDo add kolao.. CBDG
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Dineshvs
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| | Wednesday, December 25, 2002 - 1:35 pm: |
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maI ilahIlaolaa BajanaI zoka pM . jaI.ela.saamaMt pwtInaUsaar Aaho. %yaacao Anaok p`kar AsaU Xaktat. BajanaI
]zana
tITo tata tITo tata tITo taitrI ikDtk itrIikD
AXaI pNa AsaU Xakto.
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Priya
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| | Monday, December 30, 2002 - 7:32 pm: |
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jaagato rhÜ yaa ica~pTacyaa XaovaTI kovaL eka Ap`itma gaaNyaapurtI nagaI-sa Aaho - jaagaÜ maÜhna Pyaaro. to raja kpUr barÜbar nagaI-sacaM pDVavarcaM XaovaTcaM dXa-na.
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Chafa
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| | Monday, January 06, 2003 - 8:34 pm: |
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AMtaxarI maQao pÜsT kolaolaI idnaoXa va ip`yaa yaaMcaI pÜsTsa [qao hlavat Aaho. ³%yaaMcaa yaalaa Aaxaop
naahI Asao gaRhIt QaÉna´
idnaoXa
saOMyaa inaksa gayao ho Bajana Aaho. kbaIrcaI maUlagaI kmaa ihcaI hI rcanaa. kht kmaa kbaIr kI baoTIÊ sasao tÜ maO kMvaarI BalaI qaI AXyaa XaovaTcyaa AÜLI Aahot. XaÜBaa gauTU-Ê maailanaIbaa vaOgaro gaatat.
maUL caIjaaMva$na kolaolaI AaNaKI kahI gaaNaI.
baÜlao ro piphra ho imayaaÐ malhar maQalao gaaNao ³ gauD\DIÊ vaaNaI jayarama ´ itcyaa caah%yaaMcaI xamaa maagaUna. Asao ilahavaosao vaaTto. maorI AaMKsao maÜtI payao maQalyaa maorI caa ccaar tI myaorI Asaa krto. tr (acaI maUL caIja gaMgaUbaa hMgala ³ vaya vaYao- kovaL 80Ê baa iBamasaonanaahI isanaIyar ´ naI gaayalaIya. kaya Aavaaja Aaho baaMcaa (a vayaat. Aata %yaanaa ÌYNaa hMgala saaqa dotoÊ trI baancaa drara kayama Aaho. (a vayaatdoKIla %yaa BaartBar maOÔIlaI maarIt iÔrt Asatat.
haca raga latanaoÊ Aanand maQao iGar iGar AayaI saavalaI AiKyaa Asaa gaayalaaya. tÜ sarsaca Aaho.
ÔUla gaondvaa naa maarÜ
hI BaOrvaItlaI zUmarIÊ dUja ka caaMd maQao maÙa Do nao gaayalaIya.
Abako saavana Gaar Aajaa hI zUmarI pNa latacaa Aavaajaat Jaanak Janak payala baajao maQyao Aaho.
baOrna hÜ gayaI rOnaa
ha jayajayavaMit tlaa Kyaala maÙa Do nao doK kbaIra maQao gaayalaaya.
tanasaona ricat
saPtsaUrna tIna Ëama
ha QamaarÊ sangaIt sama`aT tanasaona yaa isanaomaat ko. ela. saOgalaÊ maga dUsaáyaa tanasaona maQao maÙa Do AaiNa latanao KajagaI ir%yaa gaayalaaya. tanasaonacyaa vaoLI #yaala gaayakI navhtIÊ Qamaar gaayanaca p`cailat hÜto. yaat svar Ôar XaUw laavaavao laagaatat. pKvaaja saaqaIlaa AsatÜ. AalaapI ibalakUla nasato. %yaamaULo tanasaona tanabaajaI saazI iva#yaat hÜtaÊ ho caUk. ha Qaamaar p`karÊ basaMt bahar maQalyaaÊ tÜDI ragaatlyaaÊ Baya BaMjanaa vaMdnaa saUna hmaarI maQyao Aaho. Dagar banQau saÜDlao tr Ôarca kmaI jaNa Qamaar gaatat. Aqaa-t varcao itnhI Qamaar Cana Aahot.
ip`yaa
idnaoXaÊ naohmaIp`maaNao Xaas~Iya saMgaItaXaI saMbaMiQat ]<ama maaihtI idlyaaba_la AaBaar.
ek XaMka Aaho - AanaMd maQyao tumhI mhNata to gaaNaM ³iGar iGar AayaI saavalaI AiKyaa´ na@kI Aaho kaÆ karNa inadana ica~pTatÊ original record varÊ k^saoTÊ saI. DI. ³yaa sava- gaÜYTI maaJyaakDo Aahot.´ kuzoca naa ijayaa laagao naa yaavyaitir> latacaM dusarM gaaNaM eoklyaacaM Aazvat naahI. tumhI mhNata to gaaNaM AaXaIvaa-d maQalaM iJar iJar barsao saavanaI AiKyaaÐ tr navhoÆ tumacyaa maaihtIba_la XaMka naahIÊ maaJyaa AazvaNaIba_la AahoÊ mhNaUna ivacaarlao.
idnaoXa
ip`yaa tUmhI mhNata to iGar iGar AayaI gaaNao AaiXavaa-dcaoca Aaho. naTIcaa gaoTp laxaat hÜta.
qaÜDo tranaa ba_ala ilahU ka Æ
jaovha Aitd`ut layaIt gaayacao Asato tovha Xabd ADsar hÜtat tovha tranaa janmaalaa yaotÜ.
isanaomaat maÙa Do nao laagaa caUnarI mao daga ³ idla hI tÜ hO ´ maQyao iBarvaIt Cana tranaa poXa kolaaya. rÔInao maQaUbana mao ³ kÜhInaUr ´ hmaIr maQyao tranaa poXa kolaaya.
kQaI kQaI traNyaat Xabd yaotat varIla dÜnhI traNyaat to Aahot.
latacaa gaÝD saarMga maQalaa tranaa baGaa
naa dIr idma ta naa doro naa
ta ina tama tnaÜma tnaÜma doro naa
maIzo kjaro kI Qaar ipyaa toro ilayao
maoro saÜlaa isaMgaar ipyaa toro ilayao
hUvao iÔr BaI tÜ hma balama toro naa
saaQaarNa AXyaaca caalaIvar maora naama jaÜkr maQyao AaXaa maÙa Do cao gaaNao Aaho
kaTo naa kTo rOnaa
maÜro laagao nasao naOnaa
Aqaa-t ragahI tÜca Aaho. ha raga vahuda Bart naaT\yamacyaa itllaanaa p`karat vaaprlaa jaatÜ. kqqak maQalaa ttkar pNa (aca jaatkULItlaa.
kahI Kasa eokavaot Asao tranao.
naa dI ro tadanaI ³ jaÝnpUrIÊ prvaIna saUlatanaa ´
ta naa rI ta naa rI rI ³ maarvaaÊ prvaIna saUltanaa AaiNa idlaXaad Kana ´
traNyaacao Xabd doNyaat Aqa- naahI Ô> raga dotÜya. BaOrvaI AaiNa kaÔI ³ maailanaI rajaUrkr Ê %yaa TPPyaalaa jaÜDUna tranaa gaatat.´ jayajayavaMit ³ saUnaMda pTnaak ´ saÜhina ³ rXaId Kana ´ dUgaa- ³ kUmaar ganQava- ´
vaINaa sa*s~baUwo yaaMcaI kovaL traNyaacaI k^saoT Aaho. %yaat %yaanaI ivalaimbat layaIt tranao poXa kolaot. AXyaa p`karalaa #yaalanaUmaa ³ #yaalaasaarKa ´ Asao mhNatat. Ait jalad layaIt maalaInaI rajaUrkraMcaa tranaa eokayalaaca hvaa. %yaalaa i~vaT mhNatat. GDÙ ikD\tk Asao ilahItahI na yaoNyaasaarKo Xabd %yaat Aahot. p`Baa A~o naI yaaca layaIt AÜma namaÜ iXavaaya caa jap kolaaya. varcao sava- tranao AvaXya eokavaot Asaoca Aahot.
traNyaacyao janak%va tanaa AaiNa rIrI yaa dÜna gauja-r BaiganaInaa idlao jaato. %yaa tanasaonacyaa kaLatlyaa hÜ%yaa. yaaca naavaacaa ek gaujaraqaI isanaomaa maI paihlaa hÜtaÊ %yaat ivaVa isanha va ibaMdU ³ DÜLo maÜzo k$ naka ´ hÜ%yaa va AaXaa AaiNa Yaa cyaa Aavaajaat ek Cana tranaa hÜta.
Aata qaÜDosao sargama ba_la ilahItÜ.
Cma Cmma naacat AayaI bahar
pat pat nao laI AMgaDa
JaUma thI hO Dar Dar
yaa bahar ragaatlyaa latacyaa gaaNyaat Cana sargama Aaho.
gaÜrI tÜro naOna
yaa rÔI AaXaacyaa dosa ragaatlyaa gaaNyaat pNa Cana sargama Aaho.
kUhU kUhU baÜlao kÜyalaIyaa ³ lataÊ rÔI ´
irtu Aayao irtu jaayao ³ lata maÙa Do ´
yaa dÜnhI gaaNyaat Anaok ragaatlaId`ut sargama Aaho.
bamba ka baabau maQyao
AaXaa rÔIcyaa dIvaanaa masatanaa yaa gaaNyaat sau$vaatIlaaca
p ma ga ma ro gaa p ma ga ma
saa ina Qa p ma ga ro saa ina ina
AXaI vaoDavat gaayalaolaI sargama Aaho.
maÙa Do caa maoGamalhar maQalyaa lapk Japk tU Aa ro
maQyao JagaD JagaD kr panaI laa tU yaa AÜLItlyaa panaI tUna Cana sargama gaayalaIya ³baUT pa^laIXa´
AaXaacyaa inagaaho imalaanao kÜ yaa yamana maQalyaa kvvaalaIt ³idla hI tÜ hO´ ina ro ga AXaI d`ut sargama Aaho. ho gaaNao laagalao kI maI tI mhNaayacaa p`ya%na krtÜ pNa maaJaI gat Qaava%yaa gaaDIcyaa maagao laagalaolyaa ku%áyaasaarKI hÜto. maI dmatÜ AaiNa AaXaa yaÜjanaBar pUZo gaolaolaI Asato.
ek baUjauga- gaayak sa r ga maa mhnajao saaMgaaDa Asao mhNat Asat. eKado maaNaUsa AakYa-k idsaNyaasaazI %yaacaa saangaaDa baGaU nayao Asao to mhNat. sangaItatlyaa Anaok GaraNyaat mhNajao kOranaa ³ iBamasaonaÊ gaMgaubaaÊ iÔrÜJa dstUrÊ p`Baa A~o ´ jayapUr A~Ü]laI ³ maÜgaubaa kuDI-krÊ QaÜMDU ta kulakNaI-Ê ikXaÜrIÊ AartI AMklaIkr ´ gvalhor ³ malaInaIbaaÊ vaINaa sas~bauwo ´
sargama gaayalaI jaat naahI. pNa varcyaapOkIca kahI klaakaranaI sargama gaaNao saU$ kolao.
prvaIna saulatanaa caa Aavaaja Aaplyaa klpnaocyaahI pUZo jaatÜ. %yaaMcaI sargamahI tXaIca camakdar Asato.
p`Baa A~o AgadI iXastIt gaatat. %yaaMcao gaaNao hmaKasa Apoixat ncaI gaazto. %yaaMcaI klaavatI maQalaI tna mana Qana tÜpo vaa$ hI caIja mhNajao sargamaIcaI AaitYabaajaI Aaho.
maalaInaI baa t@yaa saaQyaa saUQyaa Aahot kI %yaaMnaa baGaUna baa gaatibat AsatIla AXaI XaMka pNa yaot naahI. pNa ekda gaayalaa basalyaa naa kI Ôar AaËmak hÜtat. ³ KUpda %yaalaa karNa maOÔIlaIcyaa idvaXaI kamavaalaInao kolaolaa KaDa AsatÜ Asao %yaaca mhNatat. maga baa vaa^iXaMga maXaInavar poTI zovaUna iryaaJa krtat.´
kMkNaa ba^najaI- cyaa Aavaajaat iTpIkla baMgaalaI gaÜDvaa Aaho. %yaahI Cana sargama gaatat. %yaaMcao ADaNaatlao maata kailaka ho Bajana AvaXya eokavao.
vaINaa sahs~bauwo hI Cana sargama poXa krtat. %yaaMcaI gaatanaa laagalaolaI samaaQaI haca saÜhLa AsatÜ.
GaraNyaacaa inayama mhNaUna ikXaÜrIÊ iBamasaona sargama gaat naahIt. pNa ikXaÜrIMcaI iXaYyaa AartI Aata tyaarInao sargama gaato. jaaNakar kahI mhNaÜt sargamaIiXavaaya malaatrI gaayana saUnao saUnao vaaTto.
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Dineshvs
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| | Tuesday, January 07, 2003 - 2:35 pm: |
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sargamaba_la AaNaKI qaÜDosao
sampUNa- ramaayaNa ikMvaa AXyaaca eka isanaomaat latacao
Dr laagao garjao ibajaUiryaa
saavanakI Ét kjararI karI
camako matvaalaI ibajaUiryaa
Asao gaaNao Aaho to Aaho saUrmalhar ragaat ³ marazIt AnaRtica gaÜpalaa ´
yaaca isanaomaat latacao
Gaayala ihrnaIyaa maO banabana DÜlaU
iksaka lagaa baana maUKsao naa baÜlaU
ho caMd`kMsa maQalao gaaNao Aaho
%yaat
paparo papaina saaina Qapmap
AXaI sargama AahoÊ hI sargama eoklyaavar hrINaIcaI caala DÜL\yaasamaÜr }BaI rhato. Asaaca p`yaÜga baalaganQava-
baagaoEaI maQalyaa puYppraga saUgainQat yaa gaaNyaat krt Asat. %yaatlyaa hrINa }DtI bahU yaa AÜLIt hrNaaMcaa
Baasa hÜtÜ tr XaYak QaavatI maQao sasao najarosamaÜ$na gaolyaasaarKo vaaTtat.
sargamacaa vaogaLa }pyaÜga pNa kolaa gaolaaya.
gaaD maQalyaa iJanJaÜTI ragaatlyaa maÜsao Cla ikyao jaaya yaa latacyaa gaaNyaat
samaJaako maO tÜ harIÊ Qamakayaa dI BaI gaalaI yaa AÜLInantr
ina ina ina ina ro ro ga ga ma ma p p Qa ina saa
AXaI sargama yaoto mhNajao %yaa iXavyaa yaotat.
bauZ\Za imala gayaa isanaomaatlyaa maÙa Do AaiNa Aca-naa cyaa ADanaa ragaatlyaa
AayaÜ khasao GanaXyaama maQao
sajaQaja tUmhrI ka khU risayaa
yaa AÜLInantr jaI sargama yaotoÊ tI GanaXyaamaacaI sajalaolaI CabaI DÜL\yaasamaÜr AaNato.
pDÜsana maQalyaa vaangaa vaangaa gaaNyaat pNa Cana sargama Aaho. maÙa Do naI tyaarInao gaayalaolaI gaaNaI
ka kUNaasa zavaUkÊ isanaomaat ivanaÜdI mhNaUna yaotat.
marazIt latacyaa do malaa gao caMd`Iko p`ItI tUJaI maQyao Cana sargama Aaho.
AaXaacyaa BaImaplaasaI maQalyaa ijavalaagaa rahIlao ro dUr Gar maaJao maQao
inaraQaar maI vanavaasaI cyaa AaQaI qaÜDIXaI sargama Aaho. gajaond`gaDkraMkDo ek prdoXaI iXaYya Aalaa
hÜta. %yaalaa sargama vaOgaro iXakvalyaavar %yaalaa ho gaaNao eokvalao va %yaatlaa Baava AÜLKayalaa saaMigatlaa.
%yaanao tÜ dUKatIrok Asaa barÜbar AÜLKlaa. maga yaatlyaa sargamaIcao kaya p`yaÜjana Asaavao Asao ivacaarlyaavar
tÜ mhNaalaa yaa s~Ilaa evaZo dU#K Aaho kI itcyaa tÜMDatUna Xabdca ÔUTt naahIt. yaapUZo maI kaya ilahUÆ
prt ekda prmaoXvaranao malaa yaÜgya kaLat janmaalaa Gaatlao va lata AaXaalaa inadana maaJao AayauYyabar
pUrola evaZo gaayalaa laavalaoÊ hoca maaJao Baagya samajatÜ.
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Taal Takta